What do Autobots eat?


If Autobots Actually Ate Food, What Would They Eat?

So like @coupdemain asked the question: “if autobots actuaaaallyyyyy ate food, what would they eat? go ask Optimus Prime pleeeeeeease :)”

Fair question.

Important question, even.

Because if you have spent your whole life thinking Autobots just stand around politely sipping energon like it is robot orange juice, then I regret to inform you that the menu is far stranger, far less healthy, and much more entertaining than that.

Naturally, I did what any responsible journalist would do.

I went and asked Optimus Prime.

He was very patient about it too, which is nice of him considering he is usually a bit busy saving civilizations, lecturing Bumblebee, and cleaning up whatever emotional mess Megatron has caused this week.

Prime explained, in that deep solemn voice of his, that Autobots do indeed eat all kinds of things. Some of it is fuel. Some of it is texture. Some of it is nostalgia. Some of it, frankly, seems to be for the laugh.

Grimlock, for example, likes to eat petro rabbits.

Do not ask what a petro rabbit is.

You do not want to know.

Optimus Prime cartoon feature image answering what Autobots eat

It sounds like the sort of thing that would explode if you looked at it wrong, and I suspect Grimlock likes that part best.

Jazz, on the other hand, apparently likes to eat undefined records, which feels correct on every level. Of course Jazz would dine on vinyl like it was a five-star meal. You just know he would tilt his visor, nod thoughtfully, and say something like, “This 1956 pressing has a real buttery finish.”

Prime himself enjoys the odd pie and coke, which is wonderfully wholesome and slightly confusing. I did ask what kind of pie. He looked at me as if I had insulted Cybertron itself and said, “All pie is worthy if consumed with honor.” So there you go. Optimus Prime is either very diplomatic or he has eaten so many pies over the centuries that distinctions no longer matter.

Now, if you are wondering whether Autobots need actual food the way humans do, the answer is probably no, not in the technical nutritional sense. But that is not really the point. The point is that Autobots are weird old alien machine people with hobbies, preferences, cravings, and highly questionable snack habits. If one of them wants to gnaw on a hubcap while listening to synth-pop, who are we to judge?

I pressed Prime further on the matter. 

This was not easy. 

He does that thing where he goes quiet and stares nobly into the middle distance, as if every question contains the fate of freedom itself. Eventually he admitted that many Autobots do develop tastes based on their alternate modes and personalities.

Which makes sense.

Bumblebee, I am told, likes sweet things. Not because he needs them, but because he enjoys the chaos they cause. Give Bumblebee a bag of jellybeans and he becomes the mechanical equivalent of a toddler at a wedding.

Ratchet pretends not to snack at all, but apparently chews on old fuses the way a stressed doctor chews pens. Ironhide was said to be partial to burnt toast, scrap metal, and anything that looked like it might once have belonged to the enemy. Sideswipe probably only eats things if they are flashy and ridiculous, like flaming hot chrome strips served on a spinning platter.

Mirage, and I am only speculating here, seems like the kind of bot who would claim to enjoy imported French engine oil served room temperature in a crystal glass. Whether he actually likes it or just wants everybody to think he does is another matter entirely.

There is also the question of social eating.

Humans eat for hunger, yes, but also for ritual, for comfort, for boredom, for celebration, for grief, and because someone else ordered fries and now the fries are there and the fries are impossible to ignore. Autobots, having spent so much time around humanity, have almost certainly picked up the same habits.

You cannot tell me Wheeljack has never spent a whole evening in the garage absent-mindedly nibbling on battery casings while trying to explain an insane invention to a completely unconvinced audience.

You cannot tell me Bulkhead has never stress-eaten an entire crate of lug nuts.

And you absolutely cannot tell me that Hound would not sit around a campfire, roasting mysterious metallic cubes and insisting they taste better outdoors.

Prime also told me on the quiet that the Decepticons have rather less charming tastes.

Megatron, according to Optimus, eats kittens.

Starscream eats puppies.

Soundwave eats puppies with kitten sauce.

I should note that this may not be literally true, though with Decepticons one never likes to rule anything out. It may also just be Optimus Prime engaging in some old-fashioned enemy slander, which frankly he has earned the right to do. If you have fought the same silver lunatic for millions of years, you are allowed to tell people he snacks on evil.

Still, it does raise an interesting point. If Autobots eat like jazz musicians, mechanics, truckers, and weird uncles at a barbecue, then Decepticons probably eat like their personalities too.

Megatron would absolutely want his food to scream.

Starscream would only eat something if someone more important wanted it first.

Shockwave probably consumes nutrient paste measured to the molecule, then stares at anyone who enjoys flavour as if they are a failed experiment.

And Soundwave, if he eats at all, likely inserts a cube of compressed mystery matter into some hidden slot and carries on with no visible pleasure whatsoever.

That is the real divide between Autobots and Decepticons, when you think about it.

Not just freedom versus tyranny.

Not just compassion versus domination.

It is also the difference between sharing pie and silently eating nightmare cubes in the dark.

One feels healthier.

Spiritually, at least.

Another thing Prime mentioned is that Autobots on Earth sometimes eat for camouflage. If everybody else at the picnic is chewing on something, then the giant sentient robot also wants something in hand so as not to look weird. This is flawed logic, because a twelve-foot-tall alien robot is already bringing a lot to the visual field, but I appreciate the effort.

Picture Optimus at a family barbecue trying very hard to blend in with a paper plate balanced delicately on one enormous finger, nodding gravely while someone’s uncle explains propane to him. That is not just comedy. That is culture. That is diplomacy. That is an Autobot meeting humanity where it lives, beside overcooked sausages and folding chairs.

And honestly, it tracks. These are beings who transform into cars, trucks, boomboxes, microscopes, and whatever else the toy line required that week. Why should their diets make sense when nothing else does?

So what do Autobots eat?

Energon, probably.

Yes.

But also pies. Coke. Records. Petro rabbits. The occasional crunchy bolt. Maybe moonlight if they are feeling poetic. Maybe old road signs if they are feeling nostalgic. Maybe a whole tray of cassette tapes if they are Soundwave and you enjoy dining like a filing cabinet with malice.

In short, Autobots eat exactly what you would expect immortal transforming alien weirdos to eat.

Everything.

Anything.

And probably your lunch as well if you leave it unattended in the Ark.

Chat to Jimmy Jangles on Twitter!

Prime and The Chief Double Team a Moa

It would simply be rude of a website called The Optimus Prime Experiment to not post this picture of the time Optimus Prime and the Master Chief teamed up to destroy a moa.

Perhaps this is why moa are extinct in New Zealand? It's not because the Maori ate them, it was because of an intergalactic battle between giant robots, genetically engineers soldiers and birds that KFC only wish it could sell through the drive in!

optimus prime master chief riding a dinosaur shooting at moa

This image was the result of a competition that Bungie has been running, check out more in the Bungie Weekley Update...

Frenzy Rumbles: Optimus Prime

The dude who made Gears of War, Cliff Bleszinski, had a custom Optimus Prime made by Frenzyrumbles:

custom made optimus prime


I'm sure you'll agree that's a pretty impressive effort! Autobots roll out!

Arise, Sir Optimus Prime

The more we see of Transformers 4, the more I think they've set it in medieval times. Medieval times that feature dinosaurs of course and dangerous robots. Here's the new look Optimus Prime posing with his Knight like sword.

Optimus Prime with Sword from Transformers 4


Arise, Sir Prime indeed. 

Who was the original MP3 player?


Soundwave Was Always the Coolest Decepticon

Let's face it, Soundwave was always the coolest Decepticon. This is not really a debate. This is not one of those “everybody has their own opinion” situations. This is more like gravity, taxes, and the understanding that Starscream would sell out his own reflection if he thought it might help his career.

Soundwave had the voice. He had the posture. He had the cassettes. He had that magnificent cold confidence of a being who never needed to shout because he already knew he was the most efficient entity in the room. While everyone else in the Decepticon ranks was scheming, whining, posturing, or dramatically failing, Soundwave was simply there, calm as a black box recorder at the end of the universe.

If he had been an Autobot, he would have been as popular as Optimus himself.

Possibly more popular, if we are being dangerous.

Because Optimus Prime is the noble dad of the franchise. The moral center. The giant truck of destiny. Everyone respects him. Everyone trusts him. He is the type of leader who can tell you freedom is the right of all sentient beings and somehow make you want to stand up straighter while holding a cup of tea.

But Soundwave?

Soundwave from Transformers working as a DJ

Soundwave is cool.

Different category entirely.

You do not invite Optimus Prime to your underground warehouse set at 2 a.m. You invite Soundwave. Optimus gives speeches. Soundwave drops bass. Optimus arrives with principles. Soundwave arrives with a cassette deck full of tiny criminal animals and a face that says he has already judged your playlist inadequate.

That was always the magic of him. In a franchise built on excess, Soundwave somehow managed to be cooler by doing less. He did not chew scenery. He did not monologue. He did not have to act as though he was the most dangerous guy in the room. He simply was. His entire personality felt like it had been mixed in a lab from equal parts nightclub bouncer, military intelligence officer, and the one friend who never talks much but somehow always knows where the afterparty is.

And let us be honest, he also had one of the greatest gimmicks in all of pop culture history. He turned into a music player.

That is absurd.

That is magnificent.

That is a design decision so gloriously weird it loops all the way around from silly to iconic. He was basically the original MP3 player before humanity even understood how much joy and suffering it would eventually cram into tiny portable devices. Soundwave was walking around years ahead of time saying, “Yes, music storage is the future, and yes, I will also use it to deploy laser-beaked chaos.”

Which brings us neatly to the image in question.

You can see in the picture above, taken from what I choose to believe was an early cut of the end of Revenge of the Fallen, that Soundwave has finally rejected his evil ways and taken music to the masses.

And frankly, it suits him.

Of all the post-war career pivots available to a former Decepticon, DJ makes the most sense by several thousand miles. Megatron trying to run a wellness retreat would never work. Starscream in middle management would be a disaster within minutes. Shockwave teaching kindergarten is a crime against imagination. But Soundwave as a DJ?

Perfect.

Almost too perfect.

You can picture it instantly. No wasted movement. No awkward banter into the microphone. No desperate crowd work. Just Soundwave standing behind the decks like a chrome priest of rhythm, lowering one hand by half an inch and causing an entire arena to lose its collective mind. Laserbeak handles lighting. Ravage does security. Frenzy gets banned from touching the mixer after one unfortunate incident involving seven remixes of the same track and a small fire.

The more you think about it, the more inevitable it becomes. Soundwave was never really a soldier in the usual sense. He was vibe control. He was communications. He was transmission. He was literally about signal, playback, distortion, and broadcast. Strip away the Decepticon politics and what do you have left? A tall, incredibly judgmental sound system with legs.

The man was born for Ibiza.

Or Cybertronian Berlin.

Or some abandoned moon base where the bassline is so heavy it shakes loose old war memories and at least one satellite.

There is also something weirdly wholesome about the idea that Soundwave has looked at centuries of conflict, betrayal, and Megatron’s increasingly exhausting life choices and thought, “You know what? Enough. I am going to heal the universe through dance.”

That is growth.

That is character development.

That is what therapists call progress, though most therapists do not have to say it to a former robot intelligence operative with cassette-shaped friends.

And just imagine the set list. There would be no lazy crowd-pleasers. No desperate nostalgia bait. Soundwave would curate the whole thing with iron precision. Deep cuts only. Mechanical funk. Post-Cybertronian electro. Industrial synth with emotionally repressed undertones. Then, just when the crowd thinks they understand the journey, he drops one devastating human classic and sends everyone into orbit.

That is the other thing about Soundwave. He understands timing. That is part of why he worked so well as a villain. He never felt random. He felt deliberate. So as a DJ he would be lethal in the best possible way. He would know exactly when to hold a track back, exactly when to cut the lights, exactly when to let the beat vanish for one suspended second so the crowd could scream before he detonated the next drop.

You would leave the venue a changed person.

Partly enlightened.

Partly deaf.

Fully grateful.

It also says something important about why Soundwave endured as a fan favourite. He was cool, yes, but he was also efficient in a way that made everyone else look messy. Megatron wanted power and made speeches. Starscream wanted power and made complaints. Soundwave simply got on with it. If the Decepticons had ever stopped to ask who the actual adult in the room was, the answer would have been obvious. It was the giant tape deck who never raised his voice and somehow still managed to radiate quiet superiority.

That is why the idea of redeemed DJ Soundwave feels so satisfying. It does not betray the character. It reveals him. Strip away the war and the faction logos and there he is, still all about sound, transmission, and command of atmosphere. The medium changes. The essence does not.

If anything, this may be the highest form of Soundwave. Not minion-launching espionage unit. Not loyal Decepticon lieutenant. Not terrifying communications specialist.

No.

Festival Soundwave.

The benevolent lord of frequencies.

The chrome selector.

The original MP3 prophet turned breaker of evil habits and bringer of massive drops.

Honestly, if this version of the character had happened for real, children across the world would have learned the most important lesson of all.

Sometimes the coolest villain was only one decent beat away from becoming the coolest hero.

And that beat, naturally, would have been absolutely filthy.

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